国民彩票

Postgraduate Research Conference

Term 1 | 25 - 26 March 2025
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Skye Wagner 鈥楤ehind Seal Kiss, Above Hind Legs, To Ginger Smile鈥, 2024. Steel mesh, Mixed prints: pigment, inkjet, laser, and offset.

This conference showcases the work of candidates enrolled in our Higher Degree Research (HDR) programs.听 听

Our HDR cohort invites you to engage with their creative and impactful projects, representing all forms of research across the School. Presented at the Paddington campus from 25 鈥 26 March 2025, the two-day conference will be complemented by a program of ancillary events.

View the conference program for full details, including presentation abstracts, location information and registration information. 听

Tuesday 25 March

  • Location: Sherman Postgraduate Studios | Level 4, Block F (Campus Map)

    Chair: Michael Garbutt

    Panel Member: Diana Baker Smith

    Presentations
    • Warren Parry (PhD), 'YOU ARE THE ARTWORK'. Supervisors: Stephen Loo, Paul Thomas.
    • Sam Burke (PhD), 'New cartographies: a reconsideration of the practice of psychogeography through a gender lens using durational walking, EEG capture and digital technologies'. Supervisors: Ed Scheer, Rochelle Haley.
    • Tzu-Mei Stewart (PhD), 鈥楾he desire 鈥渢o make the world a better place鈥 鈥 Utopias and Modern Architectural Imaginaries鈥. Supervisors:听 Stephen Loo, Livia Rezende.
  • Join online via

    Attend in person: Room G06, Patricia O'Shane Building (E19),听国民彩票 Kensington campus (). 听

  • Location: Sherman Postgraduate Studios | Level 4, Block F (Campus Map)

    Chair: Bianca Hester

    Panel Member: Tim Gregory

    Presentations
    • Remy Faint (MFA), 鈥楲ayered Opacities: silk, abstraction and material histories鈥. Supervisors: Felicity Fenner, Clare Milledge.
    • Eva Nolan (PhD), 鈥榃ild Deserts: Drawing Ecologies and Biodiversity Monitoring in the NSW Arid Zone鈥. Supervisors: Anna Munster, Emma Robertson.
    • Skye Wagner (PhD), 鈥極vert artifice: Remediation tactics in image-based assemblage practice鈥. Supervisors: Grant Stevens, Astrid Lorange.
    • Suzanne Claridge (PhD), 鈥楢rchival Incantations: (re)tracing a counter-history of indenture through archival poetics鈥 (Presentation only). Supervisors: Astrid Lorange, Ver贸nica Tello.

Wednesday 26 March

  • Location: Sherman Postgraduate Studios | Level 4, Block F (Campus Map)

    Chair: Scott East

    Panel Member: Rochelle Haley

    Presentations
    • Kristy Gordon (PhD), 鈥榃ater as Slowness鈥. Supervisors: Emma Robertson, David Eastwood.
    • Natasha Dubler (PhD), 鈥楻esonance, Sound, Affect鈥. Supervisors: Anna Munster, Adam Hulbert.
    • Lizzie Crouch (PhD), 鈥楥onnections and caring in creative production: interrogating labours for inclusion in art-science鈥. Supervisors: Lizzie Muller, Matthew Kearnes.
  • Location: Sherman Postgraduate Studios | Level 4, Block F (Campus Map)

    Join the HDR Team for a discussion of topics relevant to the School of Art & Design HDR cohort, including plans for the next Postgradaute Research Open Week and changes to HDR examinations. 听

  • Location: Sherman Postgraduate Studios | Level 4, Block F (Campus Map)

    Chair: Livia Rezende

    Panel Member: Scott Brown

    Presentations
    • Nicole Crouch (PhD), 鈥楢dvocating for Cultural Sustainability through Design Decisions and Creativity鈥. Supervisors: Alison Gwilt, Fabri Blacklock.
    • Chantelle Baistow (PhD), 鈥楻emediating post-extractive environments with a philosophy of care鈥. Supervisors: Katherine Moline, Zoe Veness.
    • Danielah Martinez (PhD), 鈥楽ituatedness and Agency in Ageing: Refining Codesign with Older Adults through Relational Care鈥. Supervisors: Katherine Moline, Reside Oya Demirbilek.
3:15 - 4:15pm | Exhibition Floor Talks

Artists and PhD candidates Mel Deerson and Aulia Yeru talk about their current exhibitions. Meet in the downstairs foyer of 国民彩票 Galleries at 3:15pm. 听

3:15pm | Foyer, 国民彩票 Galleries, Corner of Oxford Street & Greens Road (Campus Map)

The Dream of the Mirror 2025 is an entirely improvised video shot on an iPhone using DIY and analogue effects. It conjures a kaleidoscopic dream vision using footage shot at Derek Jarman鈥檚 garden in Dungeness and surrounding areas. Jarman鈥檚 landscapes become a semi-abstract, mystical space viewed through the pane of a stained-glass window. A strange figure gestures among glowing poppies, stones flicker like the refraction of light on glass, and the sea pulses with its own electric field, all through the shining portal of a hand mirror. A music score created by the artist drives the rhythm of the work, drawing on medieval drones and songs, punk distortions and improvised synth experimentations.

Image: Mel Deerson, The Dream of the Mirror (still) 2025.

3:45pm | The Black Box, D106, Level 1, Block D (Campus Map)

This exhibition delves into the material and social entanglements of the Cikapundung River through three interconnected approaches. Film soup photography captures the river鈥檚 metabolic processes by chemically altering images through immersion in its waters. An installation of indigo-dyed cloth serves as a vessel to trace sediment flows while referencing colonial histories and textile traditions. Documentation and archival materials from the Susur Baur expedition walking project detail the experiences of navigating the river鈥檚 path, revealing its urban ecologies and socio-political dimensions. Alongside these works and archives, the exhibition will also present the Cikapundung River through maps and documentation. These works provide a hydrosocial reflection on the river鈥檚 agency, memory, and contested landscapes.

Image: Aulia Yeru, Aras Putih 6 (still) 2024, 35mm cannister immersed in water sample taken from Cikapundung River, scanned as digital image, edited as moving image, 5 min looped.

  • Location: Sherman Postgraduate Studios | Level 4, Block F (Campus Map)

    For catering purposes, please 听

Header image: Skye Wagner, Behind Seal Kiss, Above Hind Legs, To Ginger Smile, 2024, Steel mesh, Mixed prints: pigment, inkjet, laser, and offset. Installation detail: Built Photography, 8 June - 25 August 2024, Museum of Australian Photography, Melbourne, Australia. Image credit: Skye Wagner

Acknowledgement of Country

国民彩票 School of Art & Design stands on an important place of learning and exchange first occupied by the Bidjigal and Gadigal peoples.

We acknowledge the Bidjigal and Gadigal peoples as the Traditional Custodians of the land that our students and staff share, create and operate on. We pay our respects to Elders past and present and extend this respect to all First Nations peoples across Australia. Sovereignty has never been ceded.