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Dr Liza-Mare Syron

Dr Liza-Mare Syron

Associate Dean
  • Doctor of Arts (University of Sydney)
  • Master of Creative Arts Research (University of Wollongong)
  • Master of Adult Education (UNiversity of Technology)
  • Diploma of Dramatic Arts (Victorian College of the Arts)
Arts, Design & Architecture (ADA)
Executive

Liza-Mare has family ties to the Birrbay people from the Mid North Coast of NSW. A theatre maker and academic, she is a founding member of Moogahlin Performing Arts, and as a key member of the company’s Co-Artistic Directorate for over ten years has recently been appointed Senior Artistic Associate. Liza-Mare is currently a Co-Associate Dean Indigenous in the Faculty of Arts Design and Architecture and an Indigenous Scientia Senior Lecturer in the School of Arts and Media at ¹úÃñ²ÊƱ. She is widely published in the field of Indigenous performing arts and has recently published a book on the Rehearsal Practices of Indigenous Women Theatre Makers: Australia, Aotearoa, and Turtle Island (Palgrave Macmillan 2021). Liza-Mare Ìýlectures on First Peoples theatre practices at ¹úÃñ²ÊƱ TPS and at theÌýNationalÌýInstitute for Dramatic Arts NIDA.Ìý

Her work history includes, Indigenous Research Lead (Macquarie University), Indigenous Research Fellow (Macquarie University) Senior Aboriginal Arts and Culture Officer (Arts NSW), and Head of Theatre (Eora College of Aboriginal Studies). Liza-Mare has sat on many boards and committees including, Australian Plays Transforms (2021), Australian Plays, The City of Sydney Aboriginal Advisory Committee (2013-2017), Performing Lines (2014-2018), and the Platform Papers Editorial Board (2018-2019).Ìý

Her qualifications include Doctor of Arts (University of Sydney), Master of Creative Arts Research (University of Wollongong), Master of Adult Education (UTS), and Diploma of Dramatic Art (Victorian College of Arts). Liza-Mare has received the following academic awards from the Australasian Theatre and Performance Studies Association, the 2005 Phillip Parsons Prize for Performance as Research, the 2010 Marlis Thiersch Prize for research excellence in an English-language article, and a 2015 Rob Jordon award citation for a book chapter.

Liza-Mare’s creative outputs include: directorial roles, The Fox and the Freedom Fighters (Performance Space 2014), Broken Glass (Blacktown Arts/Sydney Festival/Moogahlin 2018), The Weekend (Sydney Festival/Moogahlin 2019), Rainbows End (Darlinghurst Theatre /Moogahlin), and Gods Country (NIDA). In the role of producer Liza-Mare has presented Koori Gras a celebration of Black queer performance (Sydney Gay and Lesbian Mardi Gras/Moogahlin 2017-2020), The Visitors (Sydney Festival/Moogahlin 2020), and manuwi jam ya muronÌý(MCA/Moogahlin 2017). Liza-Mare also works as a dramaturge on various independent projects across the country.

Ìý

  • Books | 2021
    Syron LM, 2021, Rehearsal practices of indigenous women theatre makers: Australia, Aotearoa, and Turtle Island,
    Books | 2007
    Casey M; Syron L-M, 2007, Aboriginal and Torres Strait Islander guidelines for drama/theatre education, Drama Australia
  • Book Chapters | 2025
    Syron LM, 2025, '(Re)positioning an Indigenous Standpoint in Theatre Making Practices', in Cross Cultures, pp. 237 - 253,
    Book Chapters | 2012
    Syron L-M, 2012, 'Contemporary indigenous theatre and performance practice in Australia: cultural integrity and historical significance', in Casey M (ed.), Telling stories, Australian Scholarly, pp. 134 - 152
    Book Chapters | 2010
    Syron L-M, 2010, 'Interculturality as performance practice', in Conroy R; Brine D (ed.), Translab dialogue, Performance Space, pp. 4 - 5
  • Journal articles | 2025
    Syron LM, 2025, 'Weapons of conflict and friendship: the gumayi and yilimung in The Visitors by Jane Harrison', Studies in Theatre and Performance,
    Journal articles | 2023
    Bednarek M; Syron LM, 2023, 'Functions of dialogue in (television) drama: A case study of Indigenous-authored television narratives', Language and Literature, 32, pp. 3 - 27,
    Journal articles | 2022
    Bollen J; Campbell A; Syron L-M, 2022, 'EDITORIAL: QUEER PERFORMANCE', AUSTRALASIAN DRAMA STUDIES, pp. 1 - 10,
    Journal articles | 2022
    Bollen J; Campbell A; Syron LM, 2022, 'EDITORIAL: QUEER PERFORMANCE', Australasian Drama Studies, 2022, pp. 1 - 10
    Journal articles | 2022
    Syron L-M, 2022, 'Koori Gras: A radical celebration of sparkling defiance', Australasian Drama Studies, pp. 11 - 11,
    Journal articles | 2022
    Bollen J; Syron L-M; Campbell A, 2022, 'Editorial: Queer Performance', Australasian Drama Studies, pp. 1 - 1,
    Journal articles | 2021
    Syron L-M, 2021, 'Performing Indigenous Identities on the Contemporary Australian Stage. By Susanne Julia Thurow. Abingdon and New York: Routledge, 2020. Pp. 206. AU$201.00 Hb; AU$181.00 eBook.', Theatre Research International, 46, pp. 102 - 103,
    Journal articles | 2018
    Hyland N; Syron L-M; Casey M, 2018, 'TURANGAWAEWAE: A PLACE TO STAND IN CONTEMPORARY INDIGENOUS PERFORMANCE IN AUSTRALASIA AND BEYOND', AUSTRALASIAN DRAMA STUDIES, pp. 1 - 16
    Journal articles | 2014
    Syron L-M, 2014, 'Scrapbooks, snapshots and memorabilia: hidden archives of performance', Performance paradigm, 10, pp. 119 - 121
    Journal articles | 2014
    Syron L-M, 2014, '’Catching Australian Theatre in the 2000s’ and ’Coranderrk: we will show country’', Journal of Australian Studies, 38, pp. 515 - 517,
    Journal articles | 2009
    Dwyer P; Syron L-M, 2009, 'Protocols of engagement: ’community cultural development’ encounters an urban Aboriginal experience', About performance, playing politics, pp. 169 - 191
    Journal articles | 2008
    Syron L-M, 2008, '’The Bennelong complex’: critical perspectives on Contemporary Indigenous Theatre and performance practice and the cross-cultural experience in Australia', Australasian Drama Studies, 53, pp. 74 - 83
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